"Almost Disappearing"
Exhibition
Exhibition
Engulfing the immaterial, SOZOU Studio’s works linger between the normative horizontal planes of our daily lives like a beacon of nostalgic warmth. Almost Disappearing celebrates the transience of our cosmopolitan human nature through vague impressions on our senses. More often than not we glimpse at moments in consciousness as they already pass — fleeting and beautiful, this encompasses a delicate approach within Kohtaroh & Stefano’s collaborative works.
We see an aesthetic vulnerability through the application of Australian blackwood, Japanese paper and patinated brass; an honest acceptance of our natural world in its raw conception. Alongside diverse counterparts, the familiarity of materials connects to everyone on levels unbeknown to our ocular prejudice.
What is to be perceived is a balanced impression of unbiased lighting, holding space and place in a poetic juxtaposition to the fluorescent norm. Smouldering pendants and intimately crafted paper, among humble plinths of wood, gently exudes an illuminated dissonance in SOZOU’s collection. We have found a desire, not only to remember, but to embrace the freedom in forgetting.
Words by;
Xavier Bruggeman
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VIRGIN
Exhibition
Exhibition
“Transcending our earthly bodies, our data bodies spread forth and multiply weightlessly in the cloud. Reproductions of paintings—populating our feeds and our Photos app—do the same. In an evaporating world, our flesh sits stubbornly… This show, Virgin, is a meditation on painting not as representation but as body in its own right. A figure formed from its own naked materiality; exploring how matter can become active, autonomous, and exposed.” - Morgan Stokes
While the term Virgin may invoke a number of standout pop culture references ranging from Madonna to Clueless and now Lorde, it is a word that has always been synonymous with the perceived value, representation and autonomy of bodies - in both a physical and spiritual sense. Emerging from material and historical enquiries into practices of painting and sculpture, Morgan Stokes’ compelling work examines the framing of the artistic process as a negotiation between object and image, highlighting the agency of materials in creating work that realises a state of embodiment. His new show Virgin explores this tension between the bodily and the existential, considering the value and aesthetic potential of painting and sculpture beyond modes of representation - particularly in this post-internet age characterised by artifice, immateriality and ever evolving notions of ‘realism’.
Beyond the prospect of our slide into virtual reality, Stokes also draws a line towards the religious history of art; merging concepts of the body as a vessel of meaning and purity as well as something vital, driven by presence and sensation. Layered and contained like skin and bone, his works celebrate the raw beauty and ‘purity’ of materials traced with veins and marks of meaning, somehow both muscular and meditative.
Words by Zachary Calleja
While the term Virgin may invoke a number of standout pop culture references ranging from Madonna to Clueless and now Lorde, it is a word that has always been synonymous with the perceived value, representation and autonomy of bodies - in both a physical and spiritual sense. Emerging from material and historical enquiries into practices of painting and sculpture, Morgan Stokes’ compelling work examines the framing of the artistic process as a negotiation between object and image, highlighting the agency of materials in creating work that realises a state of embodiment. His new show Virgin explores this tension between the bodily and the existential, considering the value and aesthetic potential of painting and sculpture beyond modes of representation - particularly in this post-internet age characterised by artifice, immateriality and ever evolving notions of ‘realism’.
Beyond the prospect of our slide into virtual reality, Stokes also draws a line towards the religious history of art; merging concepts of the body as a vessel of meaning and purity as well as something vital, driven by presence and sensation. Layered and contained like skin and bone, his works celebrate the raw beauty and ‘purity’ of materials traced with veins and marks of meaning, somehow both muscular and meditative.
Words by Zachary Calleja
"Garniture"
as part of MDW
Exhibition
as part of MDW
Exhibition
Garniture by Cordon Salon reimagines historical craftsmanship through a contemporary lens, exploring the enduring relevance of Western European plate armour techniques in modern design. This ongoing body of work draws on two years of extensive applied research supported by the International Specialised Skills Institute Fellowship, where designer Ella Saddington delved into the artistry and ingenuity of medieval and early modern armorers. Craftspeople who pioneered methods that balanced functionality, beauty, and material innovation, creating works that were modular, durable, and steeped in cultural significance.
Garniture, a historical system of modular armour with interchangeable components tailored for different contexts and uses. Inspired by this principle, each piece functions as a sculptural yet practical artifact. Reflecting on embedded narratives carried within materials and the ways craft can connect past and present. In bridging historical craftsmanship and contemporary design, Cordon Salon considers the value of objects, their lifespans, and their relationship to the human experience.
Photography by;
Annika Kafcaloudis