BRUD STUDIA
LINDA VALENTIC
HANNAH KUHLMANN
ANNA VARENDORFF
BMDO
PETER D COLE
STUDIO HENRY WILSON
SOFT BAROQUE
DUZI OBJECTS
FEB 19 - FEB 22, 2026
REQUEST CATALOGUE;
LINDA VALENTIC
HANNAH KUHLMANN
ANNA VARENDORFF
BMDO
PETER D COLE
STUDIO HENRY WILSON
SOFT BAROQUE
DUZI OBJECTS
FEB 19 - FEB 22, 2026
REQUEST CATALOGUE;
“FUTUREOBJEKT”
as part of Melbourne Art Fair
Exhibition
as part of Melbourne Art Fair
Exhibition
OIGÅLL PROJECTS presents a deliberately unruly booth for FUTUREOBJEKT at Melbourne Art Fair.
Nine local and international designers; Anna Varendorff, Henry Wilson, Peter D. Cole, Hannah Kuhlmann, Brus Studia, Duzi Objects, BMDO, Linda Valentic and Soft Baroque, are brought together less by theme than by instinct.
This is not a curated argument so much as a shared temperament. A loose gathering bound by obsessions with material intelligence, physical weight, and the stubborn pleasure of making things that insist on their presence.
Across lighting, furniture and objects, the works favour density over delicacy, process over polish. They carry the marks of hands, tools and time. Objects that have been worked hard, and put away wet.
There is no singular narrative to follow here. Instead, the booth operates as a site of accumulation and belief: belief in making as thinking, in mass as meaning, and in objects that earn their place through use, resistance and endurance.
Nine local and international designers; Anna Varendorff, Henry Wilson, Peter D. Cole, Hannah Kuhlmann, Brus Studia, Duzi Objects, BMDO, Linda Valentic and Soft Baroque, are brought together less by theme than by instinct.
This is not a curated argument so much as a shared temperament. A loose gathering bound by obsessions with material intelligence, physical weight, and the stubborn pleasure of making things that insist on their presence.
Across lighting, furniture and objects, the works favour density over delicacy, process over polish. They carry the marks of hands, tools and time. Objects that have been worked hard, and put away wet.
There is no singular narrative to follow here. Instead, the booth operates as a site of accumulation and belief: belief in making as thinking, in mass as meaning, and in objects that earn their place through use, resistance and endurance.
