COMING SOON COMING SOON COMING SOON COMING SOON COMING SOON COMING SOON COMING SOON COMING SOON COMING SOON COMING SOON COMING SOON COMING SOON COMING SOON COMING SOON COMING SOON COMING SOON
BRUD STUDIA
LINDA VALENTIC
HANNAH KUHLMANN
ANNA VARENDORFF
BMDO
PETER D COLE
STUDIO HENRY WILSON
SOFT BAROQUE
DUZI OBJECTS
FEB 19 - FEB 22, 2026
REQUEST CATALOGUE;
LINDA VALENTIC
HANNAH KUHLMANN
ANNA VARENDORFF
BMDO
PETER D COLE
STUDIO HENRY WILSON
SOFT BAROQUE
DUZI OBJECTS
FEB 19 - FEB 22, 2026
REQUEST CATALOGUE;
“FUTUREOBJEKT”
as part of Melbourne Art Fair
Exhibition
as part of Melbourne Art Fair
Exhibition
OIGÅLL PROJECTS presents a deliberately unruly booth for FUTUREOBJEKT at Melbourne Art Fair.
Nine local and international designers; Anna Varendorff, Henry Wilson, Peter D. Cole, Hannah Kuhlmann, Brus Studia, Duzi Objects, BMDO, Linda Valentic and Soft Baroque, are brought together less by theme than by instinct.
This is not a curated argument so much as a shared temperament. A loose gathering bound by obsessions with material intelligence, physical weight, and the stubborn pleasure of making things that insist on their presence.
Across lighting, furniture and objects, the works favour density over delicacy, process over polish. They carry the marks of hands, tools and time. Objects that have been worked hard, and put away wet.
There is no singular narrative to follow here. Instead, the booth operates as a site of accumulation and belief: belief in making as thinking, in mass as meaning, and in objects that earn their place through use, resistance and endurance.
Nine local and international designers; Anna Varendorff, Henry Wilson, Peter D. Cole, Hannah Kuhlmann, Brus Studia, Duzi Objects, BMDO, Linda Valentic and Soft Baroque, are brought together less by theme than by instinct.
This is not a curated argument so much as a shared temperament. A loose gathering bound by obsessions with material intelligence, physical weight, and the stubborn pleasure of making things that insist on their presence.
Across lighting, furniture and objects, the works favour density over delicacy, process over polish. They carry the marks of hands, tools and time. Objects that have been worked hard, and put away wet.
There is no singular narrative to follow here. Instead, the booth operates as a site of accumulation and belief: belief in making as thinking, in mass as meaning, and in objects that earn their place through use, resistance and endurance.
PREVIOUSLY SHOWING PREVIOUSLY SHOWING PREVIOUSLY SHOWING PREVIOUSLY SHOWING PREVIOUSLY SHOWING PREVIOUSLY SHOWING PREVIOUSLY SHOWING PREVIOUSLY SHOWING PREVIOUSLY SHOWING PREVIOUSLY SHOWING PREVIOUSLY SHOWING
Nicholas Modrzewski, Coma
Hannah Gartside, Tolarno Galleries
Ella Saddington
Nicholas Ives
Lucy Black
Tai Snaith, Nicholas Thompson Gallery
Georgia Spain, Tolarno Galleries
Judith Wright, Sophie Gannon Gallery
Eduardo wolfe-alegria,
Natalie Ryan
Cybele Cox, Ames Yavuz
Jacqui Stockdale
Dec 3 - End of Jan 2026
REQUEST CATALOGUE;
Hannah Gartside, Tolarno Galleries
Ella Saddington
Nicholas Ives
Lucy Black
Tai Snaith, Nicholas Thompson Gallery
Georgia Spain, Tolarno Galleries
Judith Wright, Sophie Gannon Gallery
Eduardo wolfe-alegria,
Natalie Ryan
Cybele Cox, Ames Yavuz
Jacqui Stockdale
Dec 3 - End of Jan 2026
REQUEST CATALOGUE;
"PUPPETS? EVERYBODY LOVES PUPPETS"
Exhibition
Exhibition
Our final exhibition of the year arrives with no thesis, no agenda, and absolutely no attempt at behaving. Puppets brings together a cast of artists from Australia and abroad, each invited to make… well, a puppet. That’s it. No brief, no curatorial architecture, no higher meaning imposed from above.
Because sometimes the most joyful thing a gallery can do is let the strings show.
Because puppets are absurd, uncanny, seductive, stupid, tender, and deeply human, often more than the people holding them.
Because we wanted to end the year with a grin.
Puppets is a celebration of making for the sake of making, of characters born from impulse rather than instruction; a small carnival of forms that wobble, dangle, blink and pout. It’s unserious work presented seriously, or maybe the other way around.
Come meet them. They’ve been dying for an audience.